Jens B. Christiansen (piano, würlitzer & electronics) 
Line Felding (cello)
Maria Jagd (violin)
Kristian Hoffmann (lap-steel & guitar)

Booking (DK): Peter Krog Andersen – ph: +4531310221
Church Booking (DK): Michael Vitten –  ph: +45268283
Int. Booking: Feel Life Music / Itay Berger ph: +34647116478
Tech Rider: Rumpistol Ensemble Tech Rider 2021 (right click to save).
Link to “After The Flood” album:
Presskit: rumpistol_ensemble_presskit (right click to save).

Foto: Flemming Bo Jensen

Foto: Flemming Bo Jensen

Foto: Flemming Bo Jensen

After the Flood”, the sixth album by Danish musician and composer Jens B. Christiansen under his Rumpistol moniker, is something of a departure from his previous efforts in a lot of ways. After having suffered from a severe stress-related burn-out the artist had to completely alter the way he works.

Looking at computer screens gave Jens B. Christensen, whose 16-year career primarily has been within the field of electronic music, headaches and made him nauseated, and so he was forced to work in a completely new, quite minimalistic manner. These 12 new compositions all stem from composing on the piano. Therapeutically, as well as artistically, this turned out to be rewarding, which is evident when listening to “After the Flood”, which has an uplifting, ethereal quality to it, yet remains tangible, almost tactile, in its use of organic, non-electronic instruments and textures. As refreshingly new this musical direction is for a Rumpistol album it’s also somewhat familiar sounding to fans of the artist. The melodies seem to ebb and flow, undulating around each other, in that particular Rumpistol way that point forward (and perhaps even upwards, celestially), yet evokes memories of past works, like the strings on “Beito” from the album “Dynamo”.

The musical core, much like the works of likeminded composers like Nils Frahm and Max Richter, of “After the Flood” is the piano, but Jens B. Christiansen also composed parts for other musicians to join in on these post-catastrophe neoclassical works. This ensemble consists of Line Felding (cello), Maria Jagd (violin/viola), Kristian Hoffmann (lap steel guitar), Mike Sheridan (cristal baschet), Povl Kristian (saw), and Anna Juuliska Nykvist (flute). Jens B. Christiansen also incorporated field recordings of his every-day life using analogue recording media such as reel-to-reel tape, VHS and cassette tape as well as ASMR triggers such as gentle whispering. This doesn’t mean that “After the Flood” merely is music to casually relax to. Although the album sounds very pleasing to the ear, it’s an engaging and thought-provoking listening experience.

During the concert, Jens B. Christiansen will share stories about the course of his burn-out and about how he fought his way back to reality. 

Review Quotes:

“A splendid beautiful record worth looking for” – Gilles Peterson / BBC 6 Music / Worldwide FM (UK)
“A marvelous work that at once appears magnificent and diminutive … with an almost magical, image-creating power”. – Jazz Special (DK)

“Organic, tactile and unstoppable … Alluring and sensually beautiful”” – GAFFA (DK)

“God damn did it hit me like a ton of bricks! Every track conveys this sense of aching sadness and loneliness that takes me into som kind of post-apocalyptic world. Like an abandoned city that’s been reclaimed by nature and I just have no freaking words for it. It is astonishing just how much emotional power this project had for me. Just completely swept me off my feet … Excellent Stuff!” – The Wonky Angle (US)

“Delightful, somehow strangely intense and damn well produced” – Music Dances When You Sleep

“Each listen evokes new respect and appreciation” – DJ Maggie (US)

“Beautiful album, a delicate composed piece of art. Emotional and compelling… an intimate story telling” – DJ Nanda (DK)

“Derrubado por um forte estresse, cujos sintomas começaram a bater após um show no Rio, em 2018, ao lado do BaianaSystem, ele teve que pausar a carreira e se desligar de tudo, em vários sentidos. Sem conseguir olhar para uma tela de computador, reencontrou o piano da infância como forma de expressão. Nele, compõs as 12 faixas do disco, que trocam as elaboradas criações eletrônicas anteriores por um minimalismo enriquecido por violinos, cellos e um raro órgão de cristal. Foi assim que, depois da inundação, Rumpistol se reergueu. E caminhou, suavemente.” – Calbuque / Resenhas Miudas (BZ)

RadiOzora Interview (HU)
Radio4 Interview (DK)
Danish Radio P8 Jazz Interview. (DK)
Interview on HQ Music Interview. (DK)

Foto: Flemming Bo Jensen

Foto: Flemming Bo Jensen

Foto: Flemming Bo Jensen